• WORKS
  
  • PUBLICATIONS, EXHIBITIONS, ACTIVITIES

1980

  

 

  • Participates at the Venice Biennale
  • Personal exhibition at the Antonia Jannone Disegni di Architettura gallery, Milan
  • Personal exhibition at the Galleria AAM, Rome
  • Personal exhibition at The Institute for Architecture and Urban Studies, New York
  • Personal exhibition at the Max Protetch gallery, New York
  • Collective exhibition: Galerie Nina Dausset, Paris, “Dessins d’architectes”

1981

  

 

  • Publishes Architecture and Building, in Idea as Model, New York
  • Publishes Il modello negato and Architettura laconica, in “Lotus”, 32
  • Publishes La vicenda urbanistica ed edilizia dell’Istituto Case Popolari di Milano. I – Le origini, Clup, Milano
  • Publishes Warum ich nicht baue, in Jahrbuch für Architektur 1981-1982, Vieweg, Wiesbaden

1982

  

 

  • Becomes external member of the editorial staff of Casabella magazine
  • Collective exhibition: Centre d’Art Contemporain, Genève, “Maquettes d’Architectes”
  • Collective exhibition: Galerie Piranesi, Zürich
  • Collective exhibition: Le Nouveau Musée, Lyon
  • Publishes Il modello, in Maquettes d’architects, Centre d’art Contemporain, Genève
  • Publishes The methaphysics of the drawing, in Trends in Contemporary Architecture, Athens
  • Publishes Considerazioni e aforismi sul disegno, in “Rassegna”, 9
  • Publishes Stirling & Wilford. Ampliamento del Fogg Museum, in “Casabella”, 482
  • Publishes Il luogo dell’abitare, in “Casabella”, 484
  • Publishes La questione del disegno, in “Casabella”, 486
  • Publishes Mascheramento e protezione, in “Gran Bazaar”, 5-6
  • Publishes Recinti: architettura del limite, in “Spaziosport”, 3

1983

  

 

  • Wins Associate Fellowship at Venice’s IUAV
  • Visiting professor at the Royal College of Art, London
  • Visiting professor at the Technische Universitat, Wien
  • Personal exhibition at the Galleria AAM, Rome
  • Collective exhibition: Institute for Contemporary Arts, London, “Drawings by Architects”
  • Collective exhibition: National Gallery, Athens (Greece), “Trends in Contemporary Architecture”
  • Publishes Salvatore Sciarrino. Anche la musica ha tempo e luogo (with P.A. Croset), in “Casabella”, 491
  • Publishes Ciò che si perde, in “Casabella”, 493
  • Publishes Heinz Tesar. Due architetture viennesi, in “Casabella”, 495
  • Publishes Il meccanismo della rappresentazione, in “Figure”, 6
  • Publishes Forma e rappresentazione della torre di Babele, in “Rassegna”, 16

1984

  

 

  • Participates at the Venice Biennale
  • Visiting professor at the Technische Universitat, Wien
  • Collective exhibition: Centre Georges Pompidou, Paris, “Images et Imaginaires d’Architecture”
  • Collective exhibition: Deutsches Architektur Museum, Frankfurt am Main, “Revision der Moderne”
  • Publishes Elementi per una storia della axonometria, in “Casabella”, 500
  • Publishes Trafostation an der Wohnanlage der Gemeinde Wien, Breitenfurterstrasse 1984, in “Prolegomena”, 48
  • Publishes Progetto e immagine d’architettura: note sulla mostra “Images et Imaginaires d’architecture”, in “Casabella”, 504
  • Publishes La prospettiva gesuita in Cina, in “Casabella”, 507
  • Publishes Architekturdarstellung, Technische Universität, Vienna
  • Publishes Mecanisme de la representation, in “Decoration”, 75

1985

  

 

  • Collective exhibition: Galleria d’Arte Moderna di Bologna, “Anniottanta”
  • Collective exhibition: XVIII Rassegna Internazionale d’Arte di Acireale: “Elogio dell’Architettura”
  • Publishes L’impegno tipologico, in “Casabella”, 509-510
  • Publishes Immagini della tecnica nella tradizione viennese-Gustav Peichl e il depuratore di Tegel, in “Lotus International”, 45

1986

  

 

  • Wins a Chair of Professor at Venice’s IUAV
  • Participates at the Milan Triennale
  • Arthur Rotch Visiting Professor at Harvard University, Cambridge
  • Becomes editor of Eidos, magazine of the arts, literature and music
  • Personal exhibition at the Galleria Apollodoro, Rome
  • Personal exhibition at the Gund Hall Gallery, Harvard University Graduate School of Design, Cambridge (Massachusetts)
  • Collective exhibition: Kunsthalle di Norimberga, “Der Traum vom Raum/Gemalte Architektur aus 7. Jahrhunderten”
  • Publishes The Room of the Collector, in “Normal”, I
  • Publishes A proposito dell’opera “Generazioni del cielo”, in “Gran Bazaar”, 819
  • Publishes L’Arche-variation sur un archetype, in “Techniques Architecture”, 365

1987

  

 

  • Arthur Rotch Visiting Professor at Harvard University, Cambridge
  • Personal exhibition at the Antonia Jannone Disegni di Architettura gallery, Milan
  • Collective exhibition: Fiera di Verona, “Le ultime dimore”
  • Publishes Il problema della rappresentazione. Nota da Harvard, in “Metamorfosi”, 6-7
  • Publishes Prototipi e archetipi urbani, in La città e le forme, Atti del convegno, Mazzotta, Milano
  • Publishes Gustav Peichl, Gili, Barcelona; Ernst und Sohn, Berlin

1988

  

 

  • Becomes director of Eidos magazine
  • Begins a collaboration with Giorgetti as furniture designer and Art Director
  • Arthur Rotch Visiting Professor at Harvard University, Cambridge
  • Resigns from editor at Franco Angeli Editore
  • Publishes L’idea di modello, in “Eidos”, 2

1989

  

 

  • Collective exhibition: Deutsches Architektur Museum, Frankfurt am Main, “Künstlerhäuser-Eine Architekt-urgeschichte des Privaten”
  • Publishes Icaro, Talo e Ur, Giorgetti, Meda
  • Publishes Che il disegno sia centro nelle scuole di architettura, in “XY”, 10